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This Saxophone Kills Fascists - And Then They Came For The Trade Unionists album

This Saxophone Kills Fascists - And Then They Came For The Trade Unionists album Performer: This Saxophone Kills Fascists
Title: And Then They Came For The Trade Unionists
Style: Free Improvisation, Free Jazz
Date of release: 2017
Size MP3: 1464 mb
Size FLAC: 1698 mb
Rating: 4.9
Format: AIFF TTA RA MP2 MPC VQF DMF

Abstraction in music as RESISTANCE. Not preaching to the converted, but here to offer prayer, strength and medicine for difficult times. Contact THIS SAXOPHONE KILLS FASCISTS. Streaming and Download help.

Tenor Saxophone, Alto Saxophone, Baritone Saxophone, Flute – Arrington De Dionyso.

Then they came for the trade unionists And I did not speak out Because I was not a trade unionist. But the idea was anyhow: The Communists, we still let that happen calmly; and the trade unions, we also let that happen; and we even let the Social Democrats happen. All of that was not our affair.

This Saxophone Kills Fascists opens the gates and calls upon the heavy medicine of MUSIC as THE HEALING FORCE OF THE UNIVERSE (Ayler) because we need this medicine now more than ever before. A Music of Resistance is found in the templates of Spiritual Free Jazz- through the guttural delivery of ancient horns and stretched skins a resounding echo cracks the foundations of the walls built to divide u. ALSO 사라x미리 is a new collaboration of Sara Kim and Mili Hong. The two have been working together as a part of Sara's ‘watermill’ project, which involves Korean traditional singing.

Lead photo of This Saxophone Kills Fascists playing at Comet Ping Pong courtesy Matt Cohen. The conclusion they came to indicated that de Dionyso was, for lack of a better term, an agent in this conspiracy. Essentially they viewed the mural as a vessel for satanism-it's all very dumb. work often contains MK ULTRA-related themes such as dual personalities (two heads), the exploitation of children-often mixed with occult symbolism," reads one of the many blog pieces on the mural. Now, these trolls weren't targeting an unknown.

Then they came for the trade unionists, and I didn’t speak out because I wasn’t a trade unionist. Then they came for the Jews, and I didn’t speak out because I wasn’t a Jew. Then they came for me, and there was no one left to speak for me. - Martin Niemöller. The blacklist was used unlawfully by the firms to deny employment to many trade unionists for long periods of time. An internal police investigation found evidence that revealed a potentially improper flow of information from police to outside organisations which ultimately appeared on the blacklist.

Then they came for the trade unionists, and I did not speak out- Because I was not a trade unionist.

They came for the trade unionists, and I didn’t object – for I wasn’t a trade unionis. ‘They came for the Jews, and I didn’t object for I wasn’t a Je. ‘Then they came for me – and there was no one left to object. – Martin Niemoller, German Protestant Pastor, 1892-1984. Racist chants on the terraces at football matches have been an issue in football for many years and football grounds have been a favourite place for fascist groups to recruit new members. Fascism is a much wider set of ideas. Fascists want to get rid of democracy and replace is with a dictatorship that can crush any opposition. Fascists will use the prejudices that are widely held about particular groups of people to advance their ideas. Support for fascist parties often increases during a recession, or when unemployment increases and when divisions in society widen. Then they came for the Jews, and I did not speak out- Because I was not a Jew. Then they came for me-and there was no one left to speak for me. The quotation stems from Niemöller's lectures during the early postwar period. Without knowledge, this could have been written by millions of poets who picked up a few details here and there and then started to write stuff that came to mind.

Tracklist

1 Fuck This Shit 06:38
2 They Will Not Pass 08:11
3 This Will Not Stand 04:00
4 Fuck This Shit, Reprise 05:24
5 Lalove And Drums 06:10
6 Bromiophone And Drums 05:22

Credits

  • Drums – Sam Klickner
  • Mixed By – Cooper Rosenthal
  • Tenor Saxophone, Alto Saxophone, Baritone Saxophone, Flute – Arrington De Dionyso

Notes

Recorded with Sam Klickner on drums, Arrington de Dionyso plays tenor, alto, baritone saxophones, bromiophone and lalove (Sulawesi flute)
Recorded on November 19 2016 at Leaven Community Center, Portland, OR